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The Trough Of Armageddon

by Gruntsplatter & Wilt

supported by
Michael Carter
Michael Carter thumbnail
Michael Carter If we are living in the end times,then this is the soundtrack we deserve.A collection of pieces that work together as a singular experience.A two hour journey,a glimpse through a dark mirror,a perfect reflection of our times.
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Earth AD 07:54

about

The self destructive impulse, a side effect of imagination’s fire. As universal as the afterlife and the birth of all things. A seed sown in fertile consciousness destined to become invasive. A whisper in the aether that the end is coming. A ragged tapestry of malformed ideas, gluttonous appetites, fear, and self importance that has waved for ages beyond logic and reason. Poison legacies and graves stain the ground in its shadow. Still the mob clamors. Timeless, ill conceived, and rabid at the trough of Armageddon.

Chain DLK Review:
www.chaindlk.com/reviews/11655

Noise Receptor Journal Review
noisereceptor.wordpress.com/2021/08/04/gruntsplatter-wilt-the-trough-of-armageddon/

credits

released June 4, 2021

Indoctrination (Tracks 1-8)
Scott E. Candey: wilt source material, modular synth, electronics & pedals.
Recorded & mixed by Scott E. Candey
at Life Of The Mind in Portland, OR
May - September 2020

Repercussion (Tracks 9-22)
James P. Keeler: gruntsplatter source material, synths, pedals, field recordings, object manipulation.
Dan Hall: guitars, pedals, amps.
Recorded & mixed by James P. Keeler
February - March 2021

Mastered at Misanthrope Studio - March 2021 by Thomas Garrison
Imagery: The British Library Collection (Public Domain)
Design Layout & Text: Crionic Media

Released on DCD by Phage Tapes/Cipher Productions 2021

license

all rights reserved

tags

about

gruntsplatter Portland, Oregon

Gruntsplatter was born in 1994 as a malleable creature that congealed somewhere in the gray area between Noise and Dark Ambient.

I tend to draw from literature and the death rattles and rituals of our eroding gene pool. As the project has evolved it has become largely based around personal and sociological themes that deal with the erosion of humanity and a dystopian inevitability
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